P. Maréchal, E. Anterrieu, A. Lannes
CNRS
The Fourier synthesis methodologies play a key role in aperture synthesis.
It is therefore essential to have a unified understanding of the
regularized Fourier synthesis techniques
that have been implemented so far:
WIPE with (or without) positivity constraint,
cross-entropy, etc.
We have recently shown that the related reconstruction criteria can be
derived from a unique principle:
the Principle of Maximum Entropy on the Mean (PMEM).
For example, the (Tikhonov-type) regularization principle of WIPE
results from the choice of a prior probability measure
penalizing the high-frequency components of the reconstructed image.
(Note that a similar regularization operation is performed in CLEAN,
but a posteriori.)
By proceeding in a similar way,
but with a Poissonian measure
,
the PMEM then yields the generalized cross-entropy regularizer.
In both cases, the precise definition of
must take into account the region in which
the `image to be reconstructed' is strictly positive:
the image support.
For example,
the support provided by the matching pursuit process of WIPE
(a refined version of that provided by CLEAN)
can be used for defining a cross-entropy regularizer
in which the prior knowledge of the image to be reconstructed
reduces to a continuous representation of the characteristic function
of this support, at the selected resolution level.
The results thus obtained are then very similar to those of WIPE:
the best possible fit to the data is achieved
with a good control of robustness.
Such results are rather unexpected from an entropy-based method!
This shows, if need be,
that these methods should not be developed independently.
The strategy adopted in WIPE,
which constructs the image support progressively,
while using a regularization principle based on the concept of resolution,
proves to be particularly well suited to the
problems of aperture synthesis.
Its multiresolution extension is also very promising.